Chavez sinfonia india program notes
This main structure is followed by a coda in which the definite-pitched instruments gradually re-enter, leading to an abrupt ending. From Wind Repertory Project. Navigation menu Personal tools Create account Log in. Namespaces Page Discussion. Views Read View source View history. The force of indigenous art is rooted in a series of essential conditions. It obeys a natural creative impulse of the individual toward an expression at once legitimate and free of affectation. In musical terms, the great expressive strength of indigenous art is rooted in its intrinsic variety, in the freedom and amplitude of its modes and scales, in the richness of its instrumental and sound elements, in the simplicity and purity of its instrumental and sound elements, and in the simplicity and purity of its melodies.
There is never, in this music, a morbid or degenerate feeling, never a negative attitude toward other men or nature as a whole. The music of America's immediate ancestors is the strong music of a man who constantly struggles and tries to dominate his surroundings. Imported manifestations opposed to the feeling of the music have been unable to destroy it because they have not succeeded in changing the ethical conditions of individuals.
In a single movement, its sections nevertheless follow the traditional pattern for a three-movement symphony. The title signifies the fact that the thematic material consists of three melodies originating from Native American tribes of northern Mexico.
Saturday, May 18, - p. The original score called for a string of butterfly cocoons and suspended deer hooves, but the composer eventually relented and allowed maracas and wood blocks into the battery. Intriguingly, almost all of this fiercely Mexican music was composed in a New York apartment, where Chavez spent much of the s; Copland was nearby, similarly inventing the music of the great open spaces that he had never actually seen. The pianist is Silvestre Revueltas, who also scored the movie; he is 36 years old, and looks 65; his chronic alcoholism would carry him away only five years later.
The Spanish Civil War, in which Revueltas fought on the Republican side, added the final ingredient of despair to a life already wrecked by chaos and drink. Once a close friend of Carlos Chavez, Revueltas lost his most important friend after a booze-fueled argument over a movie contract, and drifted aimlessly between crises until the furies caught up with him. There are many who wish that Stravinsky had stuck to the musical language of Petrushka , rather than pushing music off the stylistic cliff of the Rite.
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